10,000 years after humans leave the earth, what will still be standing?

Masonry wins again! The History Channel’s TV show, Life After Humans says it would be the Washington Monument in Washington, DC. The Washington Monument is not only a masonry structure, but one of the tallest masonry structures in the world (we’d say THE tallest, but there seems to be some debate on that). It’s 555 feet, 5 inches (169.29 meters) tall. While is made out of marble and we’re partial to brick, we’re still pretty excited that long after the U.S. Capitol has crumbled and The Declaration of Independence has disintegrated, it will be around. Check out the video!

Masonry Materials Comprise 11 of 13 Wonders of the World!

Just out of curiosity, I thought I would find out what the Seven Wonders of the World were and of what materials they were made. Do you know? There are actually Seven Wonders of the Ancient World, of which only the Pyramids at Giza still exist, and a New Seven Wonders of the World, selected from sites and structures still in existence. Between the two lists, the Pyramids at Giza were on both so, two times seven only yields thirteen. Interestingly, of the thirteen structures, all were masonry except for two, the Colossus of Rhodes (from the original seven), which is reputed to have been Bronze, and Christ the Redeemer in Brazil (of the new seven) which is concrete. Of the ancient wonders, only one remains standing, the Pyramids at Giza. Except for the two non-masonry structures mentioned, all of the others are built of stone or brick. The two brick new wonders are the Great Wall of China and the Colosseum in Rome.

The Great Wall, except for the “guard houses” is primarily an elevated road to keep out the enemy and move troops and military supplies. Though occupant comfort was not a primary consideration, durability was. And, endure it has. Even through its degradation, many of the bricks remained. Now, having received its second, at least, restoration, the Great Wall continues to impress as much by virtue of the mere chutzpah that it took to construct it as by its technical accomplishment.

The Colosseum, though an open structure, was built to provide a modicum of human comfort while attending gladiatorial exhibitions. There has been much speculation about the canvas awnings at the upper level that provided shelter from the sun but, these no longer exist. When you are there today, the shade of the arched concourses and the coolness of the brick still provide considerable relief from the Italian sun.

Here are the original Seven Wonders of the Ancient World and the New 7 Wonders of the World.

7 Wonders of the Ancient World
Pyramids at Giza
Hanging Gardens of Babylon
Statue of Zeus at Olympia
Temple of Artemis
Mausoleum at Halicarnassus
Colossus of Rhodes
Lighthouse at Alexandria

New 7 Wonders of the World
Pyramids at Giza
Machu Picchu
Chichen Itza
The Colosseum
Great Wall of China
Taj Mahal
Christ the Redeemer

There were many other contenders when the New list of Wonders of the World was created. Selected for features such as beauty and cultural value, it is notable that the majority of them are masonry structures.

15,500,000 brick … Sustainable … A Hundred Plus Year History!

The National Building Museum in Washington, DC (USA) is a showcase example of how the stack effect of masonry units can achieve natural ventilation and infiltration. Originally the Pension Building, the National Building Museum was designed to provide natural air-conditioning and light for its employees. Through the use of windows and air vents in the exterior walls of the building a ventilation system was created where hot air escaped through the skylights in the roof. The upward flow of air through the large central atrium would draw in fresh air through the exterior wall openings. The significance of brick construction cannot be overstated. The thermal lag created by the brick bearing walls helps to keep the interior of the building cool during the hot Washington, DC summers. And, the combination of the thermal lag and stack effect is how the National Building Museum maintained a comfortable interior environment prior to the installation of air conditioning.

These same concepts--Thermal Lag and Stack Effect are two of the six core concepts identified in the 2009 BrickStainable Design Competition entries. Check out all six design techniques utilizing brick to achieve sustainability goals.

Just this fall, Potomac Valley Brick (PVB) represented the brick and masonry industry by participating in the Festival of the Building Arts event hosted at the National Building Museum. PVB’s team partnered with United Masonry, a local mason contractor, to lead the bricklaying demonstration. This event was attended by thousands of visitors of all ages. A good time was had by all. Ellen Jacknain, coordinator of the Festival of the Building Arts noted, “As always, bricklaying was one of our most popular activities. Thank you so much to (Potomac Valley Brick) Dave and all of the workers for their expertise and patience in working with all the young visitors. The event’s general atmosphere of learning and fun was remarkable – due in large part to the enthusiasm of demonstrators like you.”

And we’ll be back at the National Building Museum in March. It will be the venue for the 2nd Annual BrickStainble Awards Celebration for the second year in a row. We can’t wait to return to this fabulous brick structure for another night of sustainability celebration!

What’s your favorite feature of the National Building Museum?

BrickStainable Presents at DC Convention, Summer 2010!

This past summer we were privileged enough to be invited back for the second time to present at the annual Washington, DC AIA hosted event, Design DC.

BrickStainable, in its 2nd year, decided an interactive panel discussion would be the best format to communicate our message and engage our supporters. The dynamic group included Potomac Valley Brick president, Alan Richardson, BrickStainable consultants, Peter Doo and Robert Busler (moderator), and a winner from BrickStainable 2009, Eric Haskins. (Eric joined us all the way from Albuquerque, New Mexico. Only a few short months after Alan flew to New Mexico to talk with Eric about his patent-pending idea, involving brick, of course! Check out our previous blog post on this topic.)

The 90 minute, 1.5 AIA/CEU & USGBC/ GBCI certified presentation was attended by a crowd of architects, students, and 2009 BrickStainable sponsors. We captured some of the highlights from this panel discussion for you. Enjoy the video.

Feel free to check out the pictures from Design DC on Flickr.

The BrickStainable Design Competition has the Whole Earth Thinking Brick!

With two and half months from the launch and under two months left to register, the 2nd Annual BrickStainable Design Competition has spread from Washington, DC across the globe! The interest from Vietnam, Poland, the United Kingdom, Canada, Iran and China is impressive, with over 80 other countries also tracking the most recent updates.

We have captured the attention from over 100 registrants at this point, primarily architects and students, and 10 of the 2009 returning teams are going to take a second stab at the BrickStainable challenge this year.

Registrants have the opportunity to win thousands of dollars in prizes and travel to Washington, DC. Register for the 2nd Annual BrickStainable Design Competition Today!

6 WEEKS UNTIL REGISTRATION CLOSES ON NOVEMBER 15th!

Thank You for Helping Move BrickStainable and the Industry Forward!

Industry leaders Belden Brick, Boral Bricks, Carolina Ceramics, Cloud Ceramics, Continental Brick, Essroc Italcementi Group, Hanson Brick, Hyload, Lehigh Cement, Mortar Net, Owens-Corning, Palmetto Brick, Redland Brick and Triangle Brick are supporting the 2^nd Annual BrickStainable Design Competition. Their involvement and financial commitment help us continue to expand our educational outreach to a larger audience.

Sponsoring BrickStainable increases the partners’ visibility to a regional, national, and international audience; supports business development and networking opportunities; and, continues to promote inherently sustainable materials that can work together through integrative design to achieve energy efficient and environmentally conscious projects.

“I was fortunate enough to attend the first awards celebration for BrickStainable. I was impressed with [the event] PVB put together, and the way they promoted our product. To realize the magnitude of what they did to bring people together from all over the world for the initial competition was impressive. I only see this as a springboard to the future for promoting brick in not only the DC and Baltimore markets, but across the country [US].” – Bill Masters, Boral Bricks (1^st Annual Premier Sponsor)

Thank you very, very much to our contributing sponsors!

We will continue to challenge the design community, stimulate integrative and innovative thinking, and encourage designers to think critically about the materials they use in the creation of the building envelope.

Please give these businesses your support. And, if you are interested in learning how to become a sponsor yourself, please visit, http://www.brickstainable.com/sponsorships/become-a-sponsor.html or email SponsorBrickStainable@gmail.com.

Integrated Design--A Path to Utopia?

Within the arena of sustainability, the term “integrated design” is now being bandied about like the term “green” has been. If everyone is green and integrated, as an increasing number of businesses and products claim to be, we should be in Utopia by now. Are we there yet?

Not quite.

So, what do these terms really mean and what do we seek to achieve by striving to integrate the design of our products and places to be green? It is really a self preservationist point of view. The well known definition of sustainability is “…meeting the needs of the present without compromising the ability of future generations to meet their own needs.”

Historically, human development has occurred by exercising our dominion over nature. People were few and nature was abundant. The pace of life was slower. Now, in the frenzy of a technological explosion and an expanding and increasingly affluent population whose consumption rate is growing; the loss of natural lands, increased scarcity of resources, degradation of our water supplies and changes in our climate are pressing our collective comfort zone. That is to say that these impacts are affecting the daily lives of people all over the planet. Many, worldwide, seek to live within a smaller environmental footprint to preserve a quality of life for future generations and, some would say, the planet itself.

We increasingly sense the interdependency of our actions. What we purchase and consume, where we live, what we throw away, our national security, our public health and, not least of all, the quality of our environment are all linked. While more than 50% of the world’s population now lives in cities, we seek to live increasingly “in harmony with nature” without knowing exactly what that means. Ironically, indigenous people who have lived in harmony with nature for centuries are considered “uncivilized.”

So, here we are, civilized people seeking to design our environments and products in a manner more integrated with nature, more holistic, more “green.” The term “integrated design” requires an understanding that the thing we are making is part of an interdependent system. If it is a product, there are material and energy flows in every aspect of its material acquisition, manufacturing, advertising, packaging, distribution, sales, obsolescence and recycling. In the case of architecture, the building or development engages its place environmentally, socially and economically.

Even city blocks that are fully developed from property line to property line are part of a watershed and, possibly, a migratory path. It has water and energy income and out flows. Though it may not function as it once did as a natural environment, we have to ask ourselves whether it could be restored to do so. How do I take advantage of the climatic cycles? What is the potential energy income? What do I do with rainwater that falls here? What do I do with the waste streams that are created by this development? What would nature do?

How will this project function economically, not only individually but in relation to its community? How does it support the social network of the community within which it resides? Addressing these issues integratively is a new challenge to architects and planners. Integrating a design is not only about integrating building systems but it is also about understanding and integrating the building with its place.

Designing a project that addresses these questions is very different than designing a project that seeks to achieve aesthetic, economic and compliance goals. The integrated approach is much richer, more rewarding, more “green”.